Posts Tagged ‘pictographs’
Knowth – Part 1: Rock Art and Energy Symbols
Friday 28th May - Knowth, Country Meath, Ireland.
The series of large megalithic structures concentrated in the Boyne Valley was the target of our first full day in Ireland. We were stationed nearby at Duleek, so getting to the Newgrange complex was a breeze, and we were properly fuelled by a hearty breakfast including locally-reared produce and home-made soda bread and jams.
We followed signs for Newgrange, knowing that this was the popular site and that it probably would lead us to the rest too. Sure enough as we aprked in the jazzy new car park at the Visitor Centre and walked down to the main door, we knew we were in for the full tourist treatment. Even knowing that didn’t prepare us for the officialdom that was to follow:-
- visitors are directed to state which combination of the sites they want to visit: Newgrange only, Knowth only, or both. Clearly, most went for both or just Newgrange
- a sticker was placed upon you in a visible location indicating your bus time, and then you were directed to the cash point to pay 5 Euros per site (actually, 6 for Knowth becuase it’s a tad further)
- you paid and then were informed about how to reach your first bus, which was a 200 yard walk through the centre, out the doors, across the Boyne, along a winding path, and then up to the circular bus pick-up point.
To say these guys had this regulated was an understatement! Although initially appalled by this we were actually quite grateful that this system, which only permitted a group of around thirty people at a time in a site, actually allowed everyone to enjoy the site’s features without bumping into people all the time. It made sense, even if it was far from what we were used to. It reminded us of visiting Stonehenge.
Rock Art as Energy Symbols
One of my objectives for visiting these popular megalithic sites was to get a comparison of the famous rock art shapes with those that we had discovered through our dowsing adventures over the last few years. Did any of them match? Would we be able to make a sensible guess at the forms and shapes, the symbols and swirls that our neolithich ancestors had taken so much time and trouble to inscribe into rock?
As we waited for our bus I took pictures of the rock art displyed in photographs and pictographs in the free exhibition in the Visitor Centre. On arriving at Knowth half an hour later (after listening to a few minutes of the guide’s useful commentary then making our excuses) I went around with my camera taking snapshots of all of the rock art on the base supports of the large mound. I wanted to compare our energy findings with the shapes represented in the stone. Here are some examples of the interesting symbols. In a subsequent post more of these symbols are explained, but for now, here are the ones we could identify immediately:-
If one looks at the image above as a two-dimensional depiction of a three-dimensional energy field then things become a little easier to understand. The spiral is, of course, what we would call a “power centre” – a point on the earth where the energies of the earth emerge and merge with the radiant solar and lunar energies. The most ‘sacred’ of these types is the power centre that merges the three ‘alignments’ or types of energy – male, female and neutral.
The two arcs on either side of the spiral are the neutral entrance and exit arcs that we have begun to discover at numerous sacred places, usually stone circles. These arcs form ‘spaces’ in the energy field through which poeple and spirit energies can pass without ‘interfering with’ or being affected by the overall energy field, because to pass through the energy field around a site is to interact with it. These neutral entrances and exits seems to be a bypass to that trip-wire effect, possibly to allow for the ‘safe passage’ of spirit energy through the site, unhindered by the site’s design and potential.
It is entirely possible to read too much into the decorative swirls and shapes that adorn the rocks surrounding Knowth’s major mound, and yet one gets the sense that they are not purely decorative. After all – someone has gone to a lot of time and trouble to do this work, and even today we rarely decorate in stone just for the sake of it. Stonework usually has some kind of symbolic significance at least, even if only to express a wider design concept in keeping with our culture. So, it is with some hesitance that I point out the desing of seven concentric circles in the stone above, and mention that this might have a link to the seven chakras. Then, in the stone below, we see five circles. Five pathways for the incoming energies into the human body, according to C.W.Leadbeater in his book “The Chakras”. Again, perhaps the information is for me only to interpret in this way, but 7 and 5 are cropping up again at a site that is associated with human consciousness transformation processes.

